Jamaican Reggae

About us Terms & Conditions Privacy Contact Banners and Links
Copyright© Webdynamo 2010 all rights reserved.
Jamaica vacations
Negril
Montego Bay
Port Antonio
Treasure Beach
Mandeville
Kingston
Ocho Rios
Mayfied-Falls
Dunn's River
Reach Falls
YS Falls
Jamaican Falls
Negril Sunset
Jamaican Beaches
Reggae
Ska Music
Rockysteady Music
Dancehall Music
Jamaican Cuisine
Jamaican Recipes
Jamaican Foods
Jamaican Spices
Jamaican Rum
Currency
Weather
Jamaican Coffee
Bob Andy
Black Uhuru
Everton Blender
Dennis Brown
Burning Spear
Junior Byles
Barringgton Levy
The Cables
Al Campbell
Cornel Campbell
Don Carlos
Challice
Johnny Clarke
Clarendonians
Jimmy Cliff
Cocoa T
Bunny Wailer
Delroy Wilson
Etana
Carlene Davis
Desmond Dekker
Phyllis Dillon
Eric Donaldson
Dobby Dobson
Earl Sixteen
Clancy Eccles
Eek a Mouse
Alton Ellis
Hortense Ellis
Ethiopians
Dean Fraser
Fred Locks
Boris Gardiner
Gaylads
Gladiators
Marcia Griffiths
Third World
Linval Thompson
Toots Hibbert
Half Pint
Beres Hammond
Derrick Harriott
Heptones
Justin Hinds
Shiela Hylton
Inner Circle
Gregory Isaacs
Israel Vibration
Ini Kamoze
Byron Lee
Barrington Levy
Hopeton Lewis
Luciano
Bob Marley
Julian Marley
Ziggy Marley
Steel Pulse
Tanya Stephens
Tinga Stewart
Larry Marshall
Maxi Priest
Freddie McGregor
Jocob Miller
Stephen Marley
Sugar Minott
Derrick Morgan
Morgan Heritage
Judy Mowatt
Mutabaruka
Frankie Paul
Peter Tosh
Pinchers
Pliers
Prince Buster
Junior Reid
Tarrus Riley
Richie Spice
Leroy Smart
Slim Smith
Larry Marshall was born in Lawrence Park in Saint Ann Parish in 1941. He left St. Ann in 1957 and travelled to Kingston.[3] Marshall's musical career stretches back to the early 1960s, his initial inspiration being Ben E. King.[4] Between 1962 and 1967, he had minor hits for producers such as E. Henry ("Too Young To Love"), Philip Yap ("Promise Is a Comfort to a Fool" and "Snake In The Grass"), Coxsone Dodd ("Please Stay"), and Prince Buster ("I've Got Another Girl" and "Suspicion").[1] His greatest successes came in the late 1960's when he teamed up with Alvin Leslie in the duo Larry & Alvin, recording hits for Dodd's Studio One label such as the massive Jamaican hit "Nanny Goat" which is regarded as the record that began the shift from rocksteady to reggae,[2] followed by "Hush Up", "Your Love", and "Mean Girl".[1] "Throw Me Corn" also became a big hit in Jamaica when released in 1971.[1] Marshall also recorded as a duo with Enid Cumberland, as Larry & Enid.